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Showing posts with label Ottawas cartoon party. Show all posts
Showing posts with label Ottawas cartoon party. Show all posts

Thursday, February 17, 2011

Ottawa animation fest's best delivers diverse cartoon party


IT'S not a good sign when an animator fails to close a film festival entry, desperately submits a roughly cobbled-together one-minute doo-dad titled Sorry Film Not Ready, and it still manages to get included on the annual best-of collection.

Auspiciously, the program of a dozen animated shorts culled from the 2010 Ottawa International Animation Festival does contain films of more work-intensive value. None of the films are on the list of this year's Oscar candidates either, but one film from last year's festival Madagascar, Carnet de Voyage is a 2010 Oscar nominee, so most probably some of the films on this year's program may be chosen for 2011.

My individual picks from the 14:

-- Little Deaths, an erotic doc-toon by Ruth Lingford, offers up some sumptuous, occasionally abstract images over the voices of various people effecting to explain what orgasm feels like.

-- Midtown Twist is a deftly satiric, jazzy representation of Manhattan commerce from animator Gary Leib.

-- Angry Man, from Norway, is a moving but frightening short employing storybook-like cut-outs to depict a little boy's fear and confusion at the spectacle of his father's violent rages. A dog and a flock of strange birds compel him to reveal shameful family secrets, and free his family from the oppression of bad temper.

-- Love & Theft, a German work by Andreas Hykade, is an elegant vision (if such a thing is possible) in which one cartoon face morphs into another. The "theft" in the title may refer to faces that look something like copyright-protected figures such as Micky Mouse, Donald Duck, Betty Boop, Spider-Man and Spongebob Squarepants morphing into Karl Marx and Hitler, among many, many others. This is simple (but subversive) animation at its best.

-- The External World from David O'Reilly is a grand prize-winning, retro-computer animation featuring a assortment of pretty hilarious sight gags incorporating prehistoric video-game imagery, bloody slapstick and just plain rude behavior.

The Best of the Ottawa International Animation Festival plays at Cinematheque until Thursday, Feb. 24.